Simona&Lombardo

Mar 13

My cinemagr.ams -

(Taken with http://cinemagr.am)

My cinemagr.ams - Trees -

(Taken with http://cinemagr.am)

Dec 21

- J. Pollock, 1947 - L’America cessa di essere importatrice di arte e di idee dall’Europa.
  
  L’artista può adesso guardare dentro di sé, all’energia interiore. «Non si può esprimere la nostra epoca, gli aerei, la radio, la bomba atomica, con le forme del Rinascimento»

Nov 25

(Source: thenewmanhattanite)

Nov 11

11/11/11 in Italy #11ElevenLive (Taken with instagram)

Nov 10

pluresdesign:

Ipereality _ “È tutto reale, è tutto vero, niente di quello che vedi nello show è finto. È semplicemente controllato” _ The Truman Show _ Peter Weir

Nov 09

anitaprentice:

myserendipities:

Alan Fletcher: Fifty years of graphic work (and play)

Alan Fletcher is one of the most influential figures in post-war British graphic design. The fusion of the cerebral European tradition with North America’s emerging pop culture in the formulation of his distinct approach made him a pioneer of independent graphic design in Britain during the late 1950s and 1960s. As a founding partner of Pentagram in the 1970s, Fletcher helped to establish a model of combining commercial partnership with creative independence. He also developed some of the most memorable graphic schemes of the era, notably the identities of Reuters and the Victoria & Albert Museum, and made his mark on book design as creative director of Phaidon. (more)

An epitaph for American television.

Oct 26

the-iridescence:

“Around 2,000 people flocked to see Banksy’s Portrait of an Artist as part of an exhibition by cutting edge Bristol-based collective Crazy Fools in The Library, in Upper Street, Islington (London)”

(by rion)

(via weez-qi)

[video]